News — 800Tungsten

BIGGER is BETTER with 120 Film!

Posted by CineStill on

Here at CineStill, we make 4 different emulsions for medium format photographers — 3 color negative and 1 panchromatic black and white film. They are 50D (50Daylight)400D (400Dynamic)800T (800Tungsten), and BwXX (Double-X)For a limited time, both 50D and BwXX in 120 are on sale on our website — cinestillfilm.com! Check them out below!

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CineStill Dev Days Part 3! - 50D Push Processing!

Posted by CineStill on

Hi there folks!

This week, we've got something planned for all of our fine-grain loving, sun-soaking, 50D lovers out there!

 

Image by Ethan Gully, Shot on 50Daylight 120
Image by Ethan Gully, Shot on 50Daylight 120

#CineStillDevDays part 3 is on it's way, 5:30pm PST this Friday, April 10th on Instagram Live! But First, a hearty "Thank You" to all who tuned in last Friday! Your support means so much to us!

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Artist Spotlight: Maarten Groen

Posted by CineStill on

We first discovered Maarten Groen on Instagram and quickly became huge fans of his stunning work. Shooting almost exclusively CineStill Film, he recently self published a book of images shot on our film!

For this spotlight, we simply asked Maarten to talk about shooting impactful still photographs alongside his work as a film director. Thank you Maarten for supporting CineStill and for being such a beautiful part of our film community!

Hi, I’m Maarten Groen and I’m an analog addict...

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Artist Spotlight: Ethan Gulley - Desert & Denim

Posted by CineStill on

Alabama-born and California based photographer Ethan Gulley first popped onto our radar with his bold commercial and editorial photography, and as founder of the independent publication Sonder Mag.
Ethan recently packed up a bag full of CineStill Film and headed to Joshua Tree to document Desert & Denim, a festival for entrepreneurs, artisans and idealists. The results are stunning, with a palpable sense of western nostalgia and craft flair. Thanks for taking us along on your adventure, Ethan!

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CineStill 800T In Your Toolbox

Posted by CineStill on

With so many choices currently available, it helps to have some understanding of when a particular film excels. Looking at CineStill 800T, it is necessary to understand where this film comes from and what it was originally designed to achieve.

CineStill 800T is produced from a Kodak motion picture emulsion originally designed for shooting in limited artificial, continuous, incandescent light. This film is known in the motion picture industry as Kodak Vision 3 5219, the 3rd generation of tungsten balanced EI 500 color negative motion picture film, and is the standard for movies shot on film in Hollywood. 5219, or "19" as it is commonly referred to, is optimized for a hybrid workflow, ideal for scanning, with literally futuristic features (from a still photography perspective)...

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