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360 Duster
for digital camera scanning with the VALOI 360 Advancer

  • $44.99



Frequently Added Together

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Features

  • Anti-static brushes remove dust from both sides of the film without generating static
  • Suitable for any roll film format up to 70mm
  • Attaches easily to the VALOI 360 Advancer using thumb-screws (Advancer sold separately)
  • Quality aluminum construction
  • Matt black surface prevents unwanted reflections
  • User-replaceable brushes (spares will be available in the future) 

Product Details

“Valoi” is a Finnish word meaning light and creation — a nod to the creativity of analog photography. VALOI's Scandinavian roots are visible in the minimalism and functionality of their designs. VALOI 360 is a film holder system that provides an easy and effective way to digitize your film using a digital camera. With the right setup, the VALOI 360 system can deliver faster and higher quality scans than traditional flatbed scanners. 

Dust can be a big problem when scanning film. And wiping away dust can generate static, which just attracts more dust! The VALOI 360 Duster screws onto the VALOI 360 Advancer and captures dust without generating static electricity to give you significantly cleaner scans.​ The matte black surface prevents any unwanted reflections. 

Compatibility: Only compatible with the VALOI 360 Advancer. This product cannot be used in its intended way without the Advancer. 

Camera Scanning Considerations:

 

Camera Body

Just about any semi-modern, interchangeable-lens digital camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from with large lens catalogs, tethered capture capability, and excellent image quality. Some high end cameras can even use pixel stitching to deliver extremely high levels of resolution.

 

Macro Lens

For camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame. For full frame cameras and capturing 35mm film, the term “1:1” designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop-sensor bodies, 1:1 lenses focus even closer. Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your macro lens stopped down 2-3 stops from wide open, as this gives a good combination of depth of field and sharpness.


Software for Negative Conversion

There are several plugins and standalone programs for converting digitally captured negatives into positive images. Most of the options presented here allow you to download a demo version to try before you buy and determine which one best suits your workflow.

SOFTWARE REQUIRES DIFFICULTY CONTROL COST
SmartConvert Mac/PC Consumer 👨‍💻 $
FilmLab
Mac/PC Consumer  👨‍💻 $$
Negative Lab Pro Adobe Lr Prosumer  👨‍🔧👨‍🔬🧙‍♂️ $
LaserSoft NegaFix SilverFast HDR 8 Professional  👨‍🔬🧙‍♂️ $$$
ColorPerfect Adobe Ps Expert  🧙‍♂️ $

 


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