Pro Riser MK3
PROFESSIONAL COPY STAND FOR CAMERA SCANNING

  • $699.00


Only 2 left!

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Features

  • A robust copy stand, designed specifically for camera scanning film formats up to 8x10
  • Supports all digital camera sizes and styles, up to medium format system cameras
  • Extremely secure camera mounting point that ensures absolutely zero “drift” when the camera is mounted
  • Solid aluminum construction
  • Laser engraved scale (inches and centimeters) on the riser column for easy film format changes
  • Focusing knob at the base for easy, precise focus adjustments

Product Details

Negative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less) with tools you may already have. 

The Pro Riser MK3  is Negative Supply's most robust copy stand to date, capable of safely supporting nearly any digital camera and lens combination, including medium format system cameras (up to 8lbs/3.6kg), allowing you to scan all formats from 110 cartridge film to 8x10 large format sheet film.

This copy stand is a complete redesign that builds on the legacy of Pro Riser MK2. With 2 generations of the Pro Riser coming before this and thousands of those used by photographers across the globe, Negative Supply have taken great feedback to create their best copy stand yet.


Product Specifications 
Dimensions: 15in x 15in x 30in (Max riser height is 29.5in)
Weight: 10lbs 

  

Recommended Accessories:

Film Carrier

A negative holder keeps the film in place for image capture. The film needs to be completely flat for sharp photos. This is the key to good camera scans. It holds your precious film flat and safe. Spare no expense!

Light Source/LED Panel

The light source is one of the most important things when creating a camera scanning setup. Consistent light creates evenly lit images, and full spectrum light allows for great color correction. Chances are, if your light source isn’t high CRI or has dips in the spectrum, your colors will be very hard to correct. There are many light panel options out there, but the very best offer consistent, full spectrum light with a brightness high enough to capture images at moderate shutter speeds.


Camera & Lens

Camera Body

Just about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.

Macro Lens

For camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.


Software for Negative Conversion

There are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.

SOFTWARE REQUIRES DIFFICULTY CONTROL
COST
FilmLab
Mac/PC Consumer  👨‍💻 $
Negative Lab Pro Adobe Lr Prosumer  👨‍🔧👨‍🔬🧙‍♂️ $$
LaserSoft NegaFix SilverFast HDR 8 Professional  👨‍🔬🧙‍♂️ $$$
ColorPerfect Adobe Ps Expert  🧙‍♂️ $

 

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