Pro Riser MK2
Professional Copy Stand for Camera Scanning

  • $499.00
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Features

  • A copy stand, designed specifically for camera scanning.
  • Solid aluminum construction
  • Black anodized tubing and hardware to match the design ethos and Negative Supply finish standards
  • Arca style front rail to work with Arca style tripod plates
  • All metal base and top plates
  • Safely supports a pro-level DSLR with 100mm macro lens (camera shown for illusrations purposes, not included)

Product Details

Negative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less) with tools you may already have. 

The Pro Riser MK2 is designed to partner with Negative Supply's existing and future portfolio of products. Utilizing precise design and a metal construction, the Pro Riser adds ease and stability to your camera scanning outfit.

The Pro Riser MK2 is made with all machined components from solid aluminum. New features from the previous model include a new aluminum top and bottom brackets, matching knobs to visually align with the Negative Supply Film Carrier MK1 and 120 and new rubber feet. Additionally, it includes an Arca-style rail into the front of the unit for those that use Arca style systems of tripod plate.

ADDITIONAL OPTIONS:

The MK2 can be ordered with the precision machined leveling feet that allow the photographer to independently level their Pro Riser MK2, thus leveling your camera. In addition to adding leveling abilities, these feet also offer added stability and height (1 inch) for scanning purposes.


Recommended Accessories:

Film Carrier

A negative holder keeps the film in place for image capture. The film needs to be completely flat for sharp photos. This is the key to good camera scans. It holds your precious film flat and safe. Spare no expense!

Light Source/LED Panel

The light source is one of the most important things when creating a camera scanning setup. Consistent light creates evenly lit images, and full spectrum light allows for great color correction. Chances are, if your light source isn’t high CRI or has dips in the spectrum, your colors will be very hard to correct. There are many light panel options out there, but the very best offer consistent, full spectrum light with a brightness high enough to capture images at moderate shutter speeds.


Camera & Lens

Camera Body

Just about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.

Macro Lens

For camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.


Software for Negative Conversion

There are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.

SOFTWARE REQUIRES DIFFICULTY CONTROL
COST
FilmLab
Mac/PC Consumer  👨‍💻 $
Negative Lab Pro Adobe Lr Prosumer  👨‍🔧👨‍🔬🧙‍♂️ $$
LaserSoft NegaFix SilverFast HDR 8 Professional  👨‍🔬🧙‍♂️ $$$
ColorPerfect Adobe Ps Expert  🧙‍♂️ $

 

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