NS 35mm Film Carrier MK1 & Film Carrier MK1+Pro Mount MK2 (35mm Camera Scanning Kit)

  • $329.00
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Digital camera scanning is becoming popular because it’s an easy and resourceful way to scan your own work with equipment you may already have. DSLR/Mirrorless scanning is relatively new to film, but it gives added speed, convenience, and precision for capturing frames in full detail. Modern cameras with high resolution also capture slide film with better reproduction quality and color due to CMOS sensor technology.

“After having scanned all our film for over a decade using a professional Fuji Frontier minilab scanner (essentially a Camera Scanner), Epson v750 flatbed and various others, camera scanning is finally emerging as a premium workflow solution for scanning your own work in all formats. The Negative Supply products solve many of the initial struggles of camera scanning. It is now fast and reliable with potentially higher resolution in a much smaller package and simply more efficient in nearly every way.” - Brandon Wright

Scanning film with a digital camera is the future digitization, but strip holders take forever. Speed up scanning time by capturing entire rolls and advance between frames with a high quality stainless steel drive mechanism. Each Frame can be precisely centered while capturing every detail quickly and efficiently. The Film Carrier MK1 has seen worldwide success following the Kickstarter campaign, and is now available to ship.


The Film Carrier MK1 safely and easily attaches to the Pro Mount MK2, and the Mount offers added weight and widens the footprint of the unit, adding stability to the scanning process. While the Film Carrier MK1 is still stable without the Pro Mount, this ensures even greater stability and control.


Designed with precision, utilizing smooth running bearings to provide smooth and even pressure, while silicone tensioners hold the guide wheels securely in place without damaging delicate film stocks. The Pro Mount MK2 is a precisely designed device featuring leveling feet to guarantee a level plane for scanning. The bottoms of the leveling feet also feature small anti-slip feet for added stability and precision.

Dust removal

This key feature on the Pro Mount MK2 saves you a tremendous amount of time and frustration in post production. Every Pro Mount MK2 includes an anti-static brush that securely attaches to the Mount, coming in line with the film gate of our Film Carrier MK1. Most dust and unwanted debris will be automatically removed from your film BEFORE scanning, saving you time and energy.

Get the Film Carrier MK1 35mm scanning unit AND our Pro Mount MK2, the dynamic duo for 35mm film scanning!

The Film Carrier MK1

  • Machined aluminum Enclosure.
  • Anodized hard coat finish
  • Precision nylon bearings.
  • Smooth Silicone tensioners.
  • Custom Film Rollers.

We are passionate about expertly built cameras that have served working professional for decades. The Film Carrier MK1 is no different. Every part of the Film Carrier MK1 has been designed for a lifetime of use.

The Pro Mount MK2

  • Anti-static dust removing brush
  • Laser cut aluminum plate
  • Anodized hard coat finish
  • Fiber reinforced insert support
  • Stainless steel leveling hardware

The Pro Mount MK2 offers added stability, precision, and dust removal capabilities to the Negative Supply scanning system.

Recommended Accessories:

Light Source/LED Panel

The light source is one of the most important things when creating a camera scanning setup. Consistent light creates evenly lit images, and full spectrum light allows for great color correction. Chances are, if your light source isn’t high CRI or has dips in the spectrum, your colors will be very hard to correct. There are many light panel options out there, but the very best offer consistent, full spectrum light with a brightness high enough to capture images at moderate shutter speeds. 

Camera Stand

Our favorite option for a camera stand is something you already own, like an old enlarger with an adapter plate, or a sturdy tripod with an invertible column so you can mount your camera underneath. However, if you must purchase something, Negative Supply has created the Pro Riser. This compact camera stand works best with mirrorless and midsized DSLR cameras and features lead-screw height adjustment for quickly and easily raising and lowering. Because of this adjustment option, it is impossible for your camera to “fall” or “descend uncontrollably” into your workpiece.

Camera & Lens

Camera Body

Just about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.

Macro Lens

For camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.

Software for Negative Conversion

There are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.

Mac/PC Consumer  👨‍💻 $
Negative Lab Pro Adobe Lr Prosumer  👨‍🔧👨‍🔬🧙‍♂️ $$
LaserSoft NegaFix SilverFast HDR 8 Professional  👨‍🔬🧙‍♂️ $$$
ColorPerfect Adobe Ps Expert  🧙‍♂️ $


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