Scan full rolls or cut strips of 35mm film in as fast as 2 minutes
Keeps film perfectly flat for sharp scans
Pro Mount MK2 levels holder and masks off extraneous light
Anti-static dust brush provides cleaner scans
Introducing the Negative Supply Pro Film Carrier 35 + Pro Mount MK2 Kit, the perfect setup for scanning strips or full rolls of 35mm quickly and easily! This kit pairs the Pro Film Carrier 35 with the Pro Mount MK2, which is a leveling platform to dial in your setup, mask off extraneous light, and adds an anti-static dust brush to help keep dust at bay before your film gets scanned.
Negative Supply exists to create tools for film photographers around the world that want to spend more time photographing and less time scanning. Their products allow you to digitize negatives using your digital camera and a macro lens in as little as 5 minutes (or less) with tools you may already have.
This Negative Supply Pro Film Carrier 35 + Pro Mount MK2 Kit
Pro Film Carrier 35
Pro Mount Mk2 with Adapter Plate
Dust Removal Brush
Just about any semi-modern interchangeable camera will work great for camera scanning. There are many mirrorless or DSLR options to choose from, with the most convenient offering tethered live view capture to your computer. The Canon T2i is probably the cheapest option out there with tethering and large lens selection, and new cameras like the Sony A7 series are now very affordable with great IQ. High end setups may even use the new full frame Panasonic mirrorless cameras with pixel stitching.
For camera scanning, the one real requirement is that your lens focuses close enough to capture the entire frame, without having to digitally crop. For full frame cameras and capturing 35mm film, the term 1:1 designates a lens that will reproduce the 35mm frame exactly onto the full frame digital sensor. With crop bodies, 1:1 focus even closer. There are also options to use extension tubes for older macro lenses. We have had excellent results with an inexpensive Nikon 55mm macro from the film days, using a simple extension tube to get 1:1 on our full frame bodies. Higher end, yet affordable options include the excellent Sigma 70mm ART Macro. The Outside of reproduction factor (1:1), also look out for lenses that are sharp, have good color reproduction, limit internal reflections (modern coatings), and have very little vignetting. Finally, it’s generally best to use your lens stopped down 2-3 from wide open, as this gives a good combination between depth of field and brightness.
Software for Negative Conversion
There are a few plugins and standalone programs for converting negatives into positives. Some older and some newer, all of them try to harness the color science based in darkroom paper to various degrees. Many professional scanners have used LaserSoft applications or some proprietary/built-in software to emulate darkroom printing. After all, even a professional lab scanner is simply a digital camera and a light source. The applications below do the same thing for converting negatives captured with you digital camera rather than a digital camera built into a scanner. We recommend choosing the one that best suits your workflow.